Aimé Césaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. The long poem was the beginning of Césaire's quest for négritude, and it became an anthem of Blacks around the world. With its emphasis on unusual juxtapositions of object and metaphor, manipulation of language into puns and neologisms, and rhythm, Césaire considered his style a "beneficial madness" that could "break into the forbidden" and reach the powerful and overlooked aspects of black culture. Clayton Eshleman and Annette Smith achieve a laudable adaptation of Césaire's work to English by clarifying double meanings, stretching syntax, and finding equivalent English puns, all while remaining remarkably true to the French text. Their treatment of the poetry is marked with imagination, vigor, and accuracy that will clarify difficulties for those already familiar with French, and make the work accessible to those who are not. André Breton's introduction, A Great Black Poet, situates the text and provides a moving tribute to Césaire. Notebook of a Return to the Native Land is recommended for readers in comparative literature, post-colonial literature, African American studies, poetry, modernism, and French.

Notebook of a Return to the Native Land

"An authentic masterpiece." — The North American Review. Recounting the homecoming of a shell-shocked officer, this novel offers a compelling look at the far-reaching effects of the First World War and the shifting nature of English class structure.

The Return of the Soldier

The armies of the Dark Lord Sauron are massing as his evil shadow spreads ever wider. Men, Dwarves, Elves and Ents unite forces to do battle agains the Dark. Meanwhile, Frodo and Sam struggle further into Mordor in their heroic quest to destroy the One Ring.The devastating conclusion of J.R.R. Tolkien's classic tale of magic and adventure, begun in The Fellowship of the Ring and The Two Towers, features the definitive edition of the text and includes the Appendices and a revised Index in full.To celebrate the release of the first of Peter Jackson's two-part film adaptation of The Hobbit, THE HOBBIT: AN UNEXPECTED JOURNEY, this third part of The Lord of the Rings is available for a limited time with an exclusive cover image from Peter Jackson's award-winning trilogy.

The Return of the King

One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life. As Alexander Theroux asserts in his Introduction, Hardy was "committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man."

The Return of the Native

In recent years controversial cases such as the so-called Elgin Marbles have prompted public debate on the return of cultural treasures to their homelands. In this fully revised and expanded third edition of her seminal work, first published in 2007, Jeanette Greenfield analyzes and discusses the historical, legal and political issues surrounding a wide cross-section of similar cases. Bringing the story up to date, this edition includes new chapters on wartime plunders, deliberately destroyed art and the return of ethnic art such as Australian aboriginal and Native American art. It also explores the palaeontological and marine archaeology issues at play and examines new approaches taken by museums when dealing with cultural objects and their return. Written in a highly accessible style with an interdisciplinary approach, this book will appeal to a wide range of readers interested in cultural heritage, archaeology and anthropology, museums, art history and international law.

The Return of Cultural Treasures

... reproduces the complete authoritative text of The Lord of the Rings, together with the original maps drawn by Christopher Tolkien. The appendices and a fully revised and expanded index are included in The Return of the King.

The Return of the king

Many books of the Hebrew Bible were either composed in some form or edited during the Exilic and post-Exilic periods among a community that was to identify itself as returning from Babylonian captivity. At the same time, a dearth of contemporary written evidence from Judah/Yehud and its environs renders any particular understanding of the process within its social, cultural and political context virtually impossible. This has led some to label the period a dark age or black box – as obscure as it is essential for understanding the history of Judaism. In recent years, however, archaeologists and historians have stepped up their effort to look for and study material remains from the period and integrate the local history of Yehud, the return from Exile, and the restoration of Jerusalem’s temple more firmly within the regional, and indeed global, developments of the time. At the same time, Assyriologists have also been introducing a wide range of cuneiform material that illuminates the economy, literary traditions, practices of literacy and the ideologies of the Babylonian host society – factors that affected those taken into Exile in variable, changing and multiple ways. This volume of essays seeks to exploit these various advances.

Exile and Return

A landmark work in the history of religions from a pioneer in the field First published in English in 1954, this founding work in the historical study of religions secured the North American reputation of the Romanian émigré-scholar Mircea Eliade. Referring to an astonishing number of cultures and drawing on scholarship in no fewer than half a dozen European languages, The Myth of the Eternal Return illuminates the religious beliefs and rituals of a wide variety of ancient cultures and argues that understanding them still has the power to enrich our conception of what it means to be human.

The Myth of the Eternal Return

It was in the spring of the year 1894 that all London was interested, and the fashionable world dismayed, by the murder of the Honourable Ronald Adair under most unusual and inexplicable circumstances. The public has already learned those particulars of the crime which came out in the police investigation; but a good deal was suppressed upon that occasion, since the case for the prosecution was so overwhelmingly strong that it was not necessary to bring forward all the facts. Only now, at the end of nearly ten years, am I allowed to supply those missing links which make up the whole of that remarkable chain. The crime was of interest in itself, but that interest was as nothing to me compared to the inconceivable sequel, which afforded me the greatest shock and surprise of any event in my adventurous life. Even now, after this long interval, I find myself thrilling as I think of it, and feeling once more that sudden flood of joy, amazement, and incredulity which utterly submerged my mind. Let me say to that public which has shown some interest in those glimpses which I have occasionally given them of the thoughts and actions of a very remarkable man that they are not to blame me if I have not shared my knowledge with them, for I should have considered it my first duty to have done so had I not been barred by a positive prohibition from his own lips, which was only withdrawn upon the third of last month. It can be imagined that my close intimacy with Sherlock Holmes had interested me deeply in crime, and that after his disappearance I never failed to read with care the various problems which came before the public, and I even attempted more than once for my own private satisfaction to employ his methods in their solution, though with indifferent success. There was none, however, which appealed to me like this tragedy of Ronald Adair. As I read the evidence at the inquest, which led up to a verdict of wilful murder against some person or persons unknown, I realized more clearly than I had ever done the loss which the community had sustained by the death of Sherlock Holmes. There were points about this strange business which would, I was sure, have specially appealed to him, and the efforts of the police would have been supplemented, or more probably anticipated, by the trained observation and the alert mind of the first criminal agent in Europe. All day as I drove upon my round I turned over the case in my mind, and found no explanation which appeared to me to be adequate. At the risk of telling a twice-told tale I will recapitulate the facts as they were known to the public at the conclusion of the inquest. The Honourable Ronald Adair was the second son of the Earl of Maynooth, at that time Governor of one of the Australian Colonies. Adair's mother had returned from Australia to undergo the operation for cataract, and she, her son Ronald, and her daughter Hilda were living together at 427, Park Lane. The youth moved in the best society, had, so far as was known, no enemies, and no particular vices. He had been engaged to Miss Edith Woodley, of Carstairs, but the engagement had been broken off by mutual consent some months before, and there was no sign that it had left any very profound feeling behind it. For the rest the man's life moved in a narrow and conventional circle, for his habits were quiet and his nature unemotional. Yet it was upon this easy-going young aristocrat that death came in most strange and unexpected form between the hours of ten and eleven-twenty on the night of March 30, 1894.

The Return of Sherlock Holmes

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