Through an examination of memoirs, personal papers, and postwar Confederate rituals, this book explores how white southerners interpreted the Civil War, accepted defeat, and readily embraced reunion and a New South. It reveals that while the Lost Cause was a central force in shaping late 19th-century southern culture, the legacy of defeat ultimately had little impact on southern behavior.

Ghosts of the Confederacy

"This riveting family drama is a classic of the modern theatre. Oswald Alving returns for the dedication of the orphanage to his father's memory and has a flirtation with the family maid who, it turns out, is his father's illegitimate daughter. As the long-supressed truths collide, the orphanage is destroyed by fire, the maid deserts the family in disgust when she learns her true parentage, and Mrs. Alving is left alone to care for her hopelessly insane son who has fallen prey to the social disease that killed his father. The role of Mrs. Alving, considered one of the greatest in the modern repertoire, has been played by Liv Ullman, Geraldine Page, Eva Le Galliene, Mrs. Fiske, Alla Nazimova and Eleonora Duse." --Publisher description.

Ghosts

When did the West discover Chinese healing traditions? Most people might point to the "rediscovery" of Chinese acupuncture in the 1970s. In Needles, Herbs, Gods, and Ghosts, Linda Barnes leads us back, instead, to the thirteenth century to uncover the story of the West's earliest known encounters with Chinese understandings of illness and healing. As Westerners struggled to understand new peoples unfamiliar to them, how did they make sense of equally unfamiliar concepts and practices of healing? Barnes traces this story through the mid-nineteenth century, in both Europe and, eventually, the United States. She has unearthed numerous examples of Western missionaries, merchants, diplomats, and physicians in China, Europe, and America encountering and interpreting both Chinese people and their healing practices, and sometimes adopting their own versions of these practices. A medical anthropologist with a degree in comparative religion, Barnes illuminates the way constructions of medicine, religion, race, and the body informed Westerners' understanding of the Chinese and their healing traditions.

Needles, Herbs, Gods, and Ghosts

The lives of Vic Woods and Ruth Wolfe, working-class teenagers from Liverpool and London, are profoundly disrupted by the arrival of World War II. Ruth’s journey leads her to aerial photographic interpretation, while Vic’s wartime experiences with bomber command haunt him long after the war is over.

Hungry Ghosts

Mooncakes and Hungry Ghosts

In this drama Ibsen has touched issues that were severely sensitive. The characters drawn in detail are deeply embedded in the plot. The themes of infidelity, illegitimate children and incest have been touched upon that were taboo topics of the time. He proved his mettle as a brilliant and bold writer as he delves into the psychology of the main characters and discusses their troubles.

Ghosts a Domestic Tragedy in Three Acts

"It is widely acknowledged that Kafka's daytime occupation as a specialist in industrial accident insurance contributed in a significant way to his fiction. Corngold and Wagner frame Kafka's writings as cultural events, each work reflecting the economic and cultural discourses of his epoch. In pursuing Kafka's avowed interest in the theory and practice of insurance, the authors view the two systems of his literary worlds--the official and the personal--as a "bundling" together of the various cultural accidents of Kafka's time. The work of two of the leading scholars of the single most influential writer of literary modernity, Franz Kafka: The Ghosts in the Machine constitutes a breathtakingly original advance in the study of both the more famous and less well-known works of this enigmatic master."--From publisher description.

Franz Kafka

Joe Hill’s award-winning story collection, featuring “The Black Phone,” soon to be a major motion picture from Universal Pictures and Blumhouse Productions Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead. . . . Nolan knows but can never tell what really happened in the summer of '77, when his idiot savant younger brother built a vast cardboard fort with secret doors leading into other worlds. . . . The past isn't dead. It isn't even past. . . . The first collection from #1 New York Times bestselling author Joe Hill, 20th Century Ghosts is an inventive and chilling compendium that established this award-winning, critically acclaimed author as “a major player in 21st-century fantastic fiction” (Washington Post).

20th Century Ghosts

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