A 2016 Coretta Scott King Author Honor book, and recipient of the Walter Dean Myers Award for Outstanding Children’s Literature. In this New York Times bestselling novel, two teens—one black, one white—grapple with the repercussions of a single violent act that leaves their school, their community, and, ultimately, the country bitterly divided by racial tension. A bag of chips. That’s all sixteen-year-old Rashad is looking for at the corner bodega. What he finds instead is a fist-happy cop, Paul Galluzzo, who mistakes Rashad for a shoplifter, mistakes Rashad’s pleadings that he’s stolen nothing for belligerence, mistakes Rashad’s resistance to leave the bodega as resisting arrest, mistakes Rashad’s every flinch at every punch the cop throws as further resistance and refusal to STAY STILL as ordered. But how can you stay still when someone is pounding your face into the concrete pavement? There were witnesses: Quinn Collins—a varsity basketball player and Rashad’s classmate who has been raised by Paul since his own father died in Afghanistan—and a video camera. Soon the beating is all over the news and Paul is getting threatened with accusations of prejudice and racial brutality. Quinn refuses to believe that the man who has basically been his savior could possibly be guilty. But then Rashad is absent. And absent again. And again. And the basketball team—half of whom are Rashad’s best friends—start to take sides. As does the school. And the town. Simmering tensions threaten to explode as Rashad and Quinn are forced to face decisions and consequences they had never considered before. Written in tandem by two award-winning authors, this four-starred reviewed tour de force shares the alternating perspectives of Rashad and Quinn as the complications from that single violent moment, the type taken directly from today’s headlines, unfold and reverberate to highlight an unwelcome truth.

All American Boys

I just wanted him to stop beating me. I just wanted to live. After a violent act that leaves their community and, ultimately, the country divided, Rashad and Quinn - one Black, one White - face the truth that racism and prejudice are all around us. And there's a future at stake, a future where no one will have to deal with police brutality. They just have to risk everything they've ever known to speak out. This edition includes evocative black and white illustrations from Akhran Girmay.

In his memoir All-American Boy, Scott Peck poignantly relives the pain and isolation of growing up gay in a Christian Southern community. In this touching memoir, Peck finds a way through the pain from his childhood, growing up gay without acceptance in the Christian South, and through this emotional journey he learns to heal from those wounds. He doesn't hold back while reliving the time when his father, Marine Col. Fred Peck, testified before Congress that there was no place for his gay son in the military. This is merely one of the many big moments shaping the book and the author's life, on top of the religious influences that surrounded him since he was born. This is a "survivor's tale that in its universal appeal brings to mind the most compelling aspects of Gal and Shot in the Heart. Through the course of these scathing, inspiring, instructive pages, Scott Peck, writer and human being, grows into one hell of a terrific man" (Michael Dorris).

All-American Boy

Jason Reynolds & Brendan Kiely, All American Boys

From his celebrated appearance, hatchet in hand, in Parson Mason Locke Weems’s Life of Washington to Booth Tarkington’s Penrod, the all-American boy was an iconic figure in American literature for well over a century. Sometimes he was a “good boy,” whose dutiful behavior was intended as a model for real boys to emulate. Other times, he was a “bad boy,” whose mischievous escapades could be excused either as youthful exuberance that foreshadowed adult industriousness or as deserved attacks on undemocratic pomp and pretension. But whether good or bad, the all-American boy was a product of the historical moment in which he made his appearance in print, and to trace his evolution over time is to take a fresh view of America’s cultural history, which is precisely what Larzer Ziff accomplishes in All-American Boy. Ziff looks at eight classic examples of the all-American boy—young Washington, Rollo, Tom Bailey, Tom Sawyer, Ragged Dick, Peck’s “bad boy,” Little Lord Fauntleroy, and Penrod—as well as two notable antitheses—Huckleberry Finn and Holden Caulfield. Setting each boy in a rich cultural context, Ziff reveals how the all-American boy represented a response to his times, ranging from the newly independent nation’s need for models of democratic citizenship, to the tales of rags-to-riches beloved during a century of accelerating economic competition, to the recognition of adolescence as a distinct phase of life, which created a stage on which the white, middle-class “solid citizen” boy and the alienated youth both played their parts.

EDITORIAL REVIEW: *The All-American Boys* is a no-holds-barred candid memoir by a former Marine jet jockey and physicist who became NASA's second civilian astronaut. Walter Cunningham presents the astronauts in all their glory in this dramatically revised and updated edition that was considered an instant classic in its first edition over two decades ago. From its insider's view of the pervasive ""astropolitics"" that guided the functioning of the astronaut corps to its thoughtful discussion of the Columbia tragedy, *The All-American Boys* resonates with Cunningham's passion for humanity's destiny in space which endures today. This is a story of the triumph of American heroes. Cunningham brings us into NASA's training program and reveals what it takes to be an astronaut. He poignantly relates the story of the devastating Apollo 1 fire that took the lives of three astronauts and his own later successful flight on Apollo 7. This new edition includes an update of the manned space program and his ""tell it like it is"" observation of NASA's successes and failures. It also includes commentary on the Shuttle disasters of Challenger and Columbia and his views on what NASA should be doing to get back on track and to regain public support.